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  • A man in the verandah of his colorful wooden house in Príncipe island, in São TOmé e Príncipe archipelago.
    170118-LFC-0161.jpg
  • Times Square in New York.
    _I6K1224.jpg
  • A man on a phone booth in Times Square, New York.
    _I6K1216.jpg
  • Boys collectively dresses as a wave during the parade in Mindelos Carnival March.
    h_00001112.jpg
  • Young women walking on Vila do Maio (Maio's Village) narrow streets. Usually buidings are colourfully painted and people are very friendly to visitors. Maio island has about 7.000 inhabitants and is one of the less-known Cape Verdean islands.
    h_00001161.jpg
  • Dancers from one of the collectivities that dispute Mindelos Carnival prize performing during the parade in Lisboa street on Carnival Tuesday.
    h_00001113.jpg
  • Carnival Parade in Lisboa Street in Mindelo, the capital city od Sao Vicente island.
    h_00001130.jpg
  • Girls preparing their costumes before parading in Mindelos Tuesday Carnival March.
    h_00001115.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    h_00001125.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    h_00001138.jpg
  • Dancers from one of the collectivities that dispute Mindelos Carnival prize performing during the parade in Lisboa street on Carnival Tuesday.
    h_00001101.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience. They are generally from the poorer strata of population.
    h_00001102.jpg
  • Two masqueraders having fun in Mindelos Carnival.
    h_00001103.jpg
  • The standard-bearer of one of the collectivities that dispute Mindelos Carnival Parade prize.
    h_00001104.jpg
  • One of the candidates for Carnival Queen in Mindelos Carnival parade.
    h_00001105.jpg
  • A young man with a mask in front of a street mural depicting Charlie Chaplin and Picasso during Carnival in Mindelo, the capital city of Sao Vicente island.
    h_00001126.jpg
  • Dancers from one of the collectivities that dispute Mindelos Carnival prize performing during the parade in Lisboa street on Carnival Tuesday.
    h_00001106.jpg
  • People gather on the windows, balconies or even on the rooftops of Mindelo buildings to watch the Carnival groups Parading on Lisboa street in Mindelo, the capital city of Sao Vicente island.
    h_00001107.jpg
  • Dancers from one of the collectivities that dispute Mindelos Carnival prize performing during the parade in Lisboa street on Carnival Tuesday.
    h_00001110.jpg
  • Dancers from one of the collectivities that dispute Mindelos Carnival prize performing during the parade in Lisboa street on Carnival Tuesday.
    h_00001128.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population. Here a TV presenter takes part in a dance with the "mandingas".
    h_00001129.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    h_00001108.jpg
  • Dancers from one of the collectivities that dispute Mindelos Carnival prize performing during the parade in Lisboa street on Carnival Tuesday. On the background the facade of ancient Portuguese Governor house that works as the Court nowadays.
    h_00001127.jpg
  • Dancers from one of the collectivities that dispute Mindelos Carnival prize performing during the parade in Lisboa street on Carnival Tuesday.
    h_00001111.jpg
  • Dancers from one of the collectivities that dispute the prize in Mindelos Carnival March. On the background the facade of ancient Portuguese Governor house that works as the Court nowadays.
    h_00001114.jpg
  • Two girls before starting their participation in an alegoric car in Mindelos Tuesday Carnival March.
    h_00001116.jpg
  • A girl before starting her participation in an alegoric car in Mindelos Tuesday Carnival March.
    h_00001124.jpg
  • A girl that preparing her shoes to dance in the Tueday Carnival parade in Mindelo.
    h_00001118.jpg
  • Some girls that will parade in alegoric cars chat while preparing for the march.
    h_00001117.jpg
  • Before the main Carnival parade on Tuesday some masqueraders prepare for the fun.
    h_00001122.jpg
  • A private party during Carnival in Mindelo, capital of Sao Vicente island
    h_00001121.jpg
  • A private party during Carnival in Mindelo, capital of São Vicente island.
    h_00001123.jpg
  • In Carnival Monday dozens of school girls and boys parade through Mindelo streets.
    h_00001132.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience. They are generally from the poorer strata of population.
    h_00001134.jpg
  • Plastic masks are starting to be used by some carnival drolls in the more traditional Mindelo Carnival.
    h_00001133.jpg
  • In Carnival Monday dozens of school girls and boys parade through Mindelo streets.
    h_00001135.jpg
  • Mount Cara (Face) is one of the features that sorround Mindelos harbour. it is said that it resemble the face and body of an asleep George Washington.
    h_00001136.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    h_00001137.jpg
  • In Carnival parades in Mindelo, attempts to recover the tradition of "mandigas" groups are made. These were members of African groups also used as slaves in Cape Verde. They rumble the streets chaotically playing with the audience and covered with oil or mud. They are generally from the poorer strata of population.
    h_00001139.jpg
  • A member of a Carnival group plays the "pandeiro" during a youngsters parade on Monday.
    h_00001140.jpg
  • A child watches the Carnival Parade in Mindelo, the capital city of Sao Vicente island.
    h_00001109.jpg
  • Two girls preparing their costumes before parading in Mindelos Tuesday Carnival March.
    h_00001119.jpg
  • Some girls that will parade in alegoric cars chat while preparing for the march.
    h_00001120.jpg
  • In Carnival Monday dozens of school girls and boys parade through Mindelo streets and at some points sensual dances arise amid the crowd.
    h_00001131.jpg
  • Masked in color dress, Caretos are diabolic and mysterious figures ever since. They represent an amalgam of profane, magical and religious elements.
    h_00001042.jpg
  • Fez Tannery is a good example of mass production, a process that we often consider as being modern. The workers stand in the stone vessels arranged like honeycombs, filled with different dyes, dying the arms and legs of the men. The hides are first soaked in diluted acidic pigeon excrement and then transferred to other vessels containing vegetable dyes such as henna, saffron and mint. When the dying process has been completed the hides are dried on the roofs of the Medina or other close situated Morocco property roofs. Traditionally natural dyes were used, although some tanneries now use artificial dyes. The traditional tanneries get the red color from poppies, yellow from saffron, brown from henna, and green from wild mint.
    h_00001330.jpg
  • Masked in color dress, Caretos are diabolic and mysterious figures ever since. They represent an amalgam of profane, magical and religious elements.
    h_00001053.jpg
  • Fez Tannery is a good example of mass production, a process that we often consider as being modern. The workers stand in the stone vessels arranged like honeycombs, filled with different dyes, dying the arms and legs of the men. The hides are first soaked in diluted acidic pigeon excrement and then transferred to other vessels containing vegetable dyes such as henna, saffron and mint. When the dying process has been completed the hides are dried on the roofs of the Medina or other close situated Morocco property roofs. Traditionally natural dyes were used, although some tanneries now use artificial dyes. The traditional tanneries get the red color from poppies, yellow from saffron, brown from henna, and green from wild mint.
    h_00001328.jpg
  • Fez Tannery is a good example of mass production, a process that we often consider as being modern. The workers stand in the stone vessels arranged like honeycombs, filled with different dyes, dying the arms and legs of the men. The hides are first soaked in diluted acidic pigeon excrement and then transferred to other vessels containing vegetable dyes such as henna, saffron and mint. When the dying process has been completed the hides are dried on the roofs of the Medina or other close situated Morocco property roofs. Traditionally natural dyes were used, although some tanneries now use artificial dyes. The traditional tanneries get the red color from poppies, yellow from saffron, brown from henna, and green from wild mint.
    h_00001329.jpg
  • Fez Tannery is a good example of mass production, a process that we often consider as being modern. The workers stand in the stone vessels arranged like honeycombs, filled with different dyes, dying the arms and legs of the men. The hides are first soaked in diluted acidic pigeon excrement and then transferred to other vessels containing vegetable dyes such as henna, saffron and mint. When the dying process has been completed the hides are dried on the roofs of the Medina or other close situated Morocco property roofs. Traditionally natural dyes were used, although some tanneries now use artificial dyes. The traditional tanneries get the red color from poppies, yellow from saffron, brown from henna, and green from wild mint.
    h_00001327.jpg
  • After roaming the streets scaring girls and women, some "caretos" gather in their family home meeting the members and having dinner with them.
    h_00001033.jpg
  • Traditionaly women were not allowed to participate in the festivities and they would take risks even beeing at their houses balconies. Men would climb up and hurt them with the belt made of cow bells. Some of the more orthodox participants still see the party as closed to women and inflict pain to women on the streets.
    h_00001061.jpg
  • A woman strolling on the riverside on a sunday afternoon. At the confluence of the Niger and the Bani rivers, between Timbuktu and Segou, Mopti is the second largest city in Mali, and the hub for commerce and tourism in this west-african landlocked country.
    h_00011571.jpg
  • People drying clothing in the rocks near a river in the north coast of São Tomé island.
    170123-LFC-3230.jpg
  • A view of  the east coast of Príncipe island
    170118-LFC-0278.jpg
  • A view of the sea inlet near Santo António do Príncipe, the tiny capital of Príncipe island
    170118-LFC-0182.jpg
  • Pilgrims drying clothes in the wind at Tulsi Ghat  by the Ganges river in Varanasi, India.
    140805-LFC-2417.jpg
  • Artisan painting a cotton clothe with a dye made with mud and tree-bark. So-called bogolans are one of the most traditional malian souvenir and each ethnic group has its own tipical design.
    080808-LFC-2493.jpg
  • One "Careto" in Podence Carnival. Podence is a very small village in Northeast Portugal that  promotes its festivities as the "most traditional ones" in the country. Men and boys wear a wool suit that was usually handcrafted by the owner when he was an adolescent and traditionally women were not allowed to participate.
    h_00001023.jpg
  • The" Caretos dance" ends up the festivities of Podence Carnival. A recent introduction to the tradition, this dance is made around a burning "Careto" puppet.
    h_00001024.jpg
  • Nowadays, the Podence villagers participate more often in the festivities and it's usual to see families together.
    h_00001026.jpg
  • One "Careto" mask in Podence Carnival. Podence is a very small village in Northeast Portugal that  promotes its festivities as the "most traditional ones" in the country. Men and boys wear a wool suit that was usually handcrafted by the owner when he was an adolescent and traditionally women were not allowed to participate.
    h_00001028.jpg
  • At night, some  men do the wedding proclamation in front of the local church. In group, they shout the names of single men and women they want to see married. The next morning, the new couples have to take breaskfast together.
    h_00001032.jpg
  • After drinking too much at dinner and during the afternoon, a "Careto"  lies in a truck ready to scare girls again.
    h_00001052.jpg
  • Like all portuguese festivities, Podence Carnival is all about fraternization. That's why people get together to eat barbecue and drink red wine.
    h_00001036.jpg
  • During the festivities, "Caretos" always walk in noisy groups, spreading terror, excitement and laughter
    h_00001038.jpg
  • Traditionaly women were not allowed to participate in the festivities and they would take risks even beeing at their houses balconies. Men would climb up and hurt them with the belt made of cow bells. Some of the more orthodox participants still see the party as closed to women and inflict pain to women on the streets with their cowbells belts.
    h_00001040.jpg
  • Due to some more violent behaviour, some "Caretos" provoque fights with other men.
    h_00001041.jpg
  • The festivities in Podence village attract more visitors each year, from the whole country and from abroad too.
    h_00001043.jpg
  • One "careto" gently scares a little girl. Usually men dressed as "careto" terrifiy women.
    h_00001048.jpg
  • Drinking alcohol is part of the ritual each time they stop their roaming in the house of those who don't wear the "careto" desguise"
    h_00001049.jpg
  • Young boys take part in Podence Carnival as an initiation to grow up as men. Drinking alcohol is part of the ritual. Men are called "careto" and boys "facanito".
    h_00001051.jpg
  • Some men dressing the "Careto" costume. Men and boys wear a wool suit that was usually handcrafted by the owner when he was an adolescent and traditionally women were not allowed to participate.
    h_00001055.jpg
  • One man dressing the "Careto" costume. Men and boys wear a wool suit that was usually handcrafted by the owner when he was an adolescent and traditionally women were not allowed to participate.
    h_00001059.jpg
  • Some boys also take part in Podence Carnival following older friends as an initiation to grow up as men. Drinking alcohol is part of the ritual of these children also know as "facanitos".
    h_00001056.jpg
  • Drinking alcohol is part of the ritual each time they stop their roaming in the house of those who don't wear the "careto" desguise"
    h_00001063.jpg
  • A woman on her house balcony with her son costume.  Men and boys wear a wool suit that was usually handcrafted by the owner when he was an adolescent and traditionally women were not allowed to participate.
    h_00001064.jpg
  • Carpet store in Fez Medina.
    h_00001293.jpg
  • Men await near the Gateway of India monument in Mumbai, India.
    070115-PR-4909-Edit.jpg
  • A caterpillar hanging on the leaves of a plant in the Bandiagara Escarpment.  The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080807-LFC-2324.jpg
  • Dogon masks are one of the most symbolic souvenir one can bring from the Dogon Country. Used for sacred cerimonies, masks have a very important role in the Dogon society. The Dogon Country is the most visited part of Mali with tourists visiting its tipical  villages that can be located on the cliff, on the sandy plain or in the rocky plateau
    080809-LFC-3052.jpg
  • Bogolans on display. These cotton clothes are painted with a dye made with mud and tree-bark. So-called bogolans are one of the most traditional malian souvenisr and each ethnic group has its own tipical design. These are Dogon bogolans.
    080808-LFC-2503.jpg
  • The" Caretos dance" ends up the festivities of Podence Carnival. A recent introduction to the tradition, this dance is made around a burning "Careto" puppet.
    h_00001025.jpg
  • One "Careto" mask in Podence Carnival. Podence is a very small village in Northeast Portugal that  promotes its festivities as the "most traditional ones" in the country. Men and boys wear a wool suit that was usually handcrafted by the owner when he was an adolescent and traditionally women were not allowed to participate.
    h_00001027.jpg
  • A newly formed couple. At night, some  men do the wedding proclamation in front of the local church. In group, they shout the names of single men and women they want to see married. The next morning, the new couples have to take breaskfast together.
    h_00001030.jpg
  • At night, some  men do the wedding proclamation in front of the local church. In group, they shout the names of single men and women they want to see married. The next morning, the new couples have to take breaskfast together.
    h_00001031.jpg
  • A girl pretending to be a widow during the wedding proclamation in front of the local church. In group, men shout the names of single men and women they want to see married. The next morning, the new couples have to take breaskfast together.
    h_00001029.jpg
  • After drinking too much at dinner and during the afternoon, a "Careto"  lies in a truck ready to scare girls again.
    h_00001034.jpg
  • A "Careto" in the toillet. Men spend all the afternoon scaring girls and women and drinking wine on their stops at the houses of the ones that doesn't desguise.
    h_00001035.jpg
  • During the festivities, "Caretos" always walk in noisy groups, spreading terror, excitement and laughter
    h_00001037.jpg
  • Traditionaly women were not allowed to participate in the festivities and they would take risks even beeing at their houses balconies. Men would climb up and hurt them with the belt made of cow bells. Some of the more orthodox participants still see the party as closed to women and inflict pain to women on the streets with their cowbells belts.
    h_00001039.jpg
  • In Podence Carnival, only "matrafonas",  women dressed like man, are safe from "caretos" cowbell belts. This is a way women have to go out without being menaced. Nowadays there are also men disguised as "matrafonas".
    h_00001044.jpg
  • Carnival characters also include "cabecudos" (big headers).
    h_00001045.jpg
  • Like a lot of portuguese emigrants, most of Podence population went a few years ago to  France, looking for a better life. This two brothers came back home after nine years away and they wanted to enforce the tradition of Podence Carnival.
    h_00001046.jpg
  • One "Careto" lies knocked-out in the cellar. Most of men who wear this costume spend the day drinking red wine and scaring girls and women.
    h_00001047.jpg
  • Young boys take part in Podence Carnival as an initiation to grow up as men. Drinking alcohol is part of the ritual. Men are called "careto" and boys "facanito".
    h_00001050.jpg
  • Some men dressing the "Careto" costume. Men and boys wear a wool suit that was usually handcrafted by the owner when he was an adolescent and traditionally women were not allowed to participate.
    h_00001062.jpg
  • Drinking alcohol is part of the ritual each time they stop their roaming in the house of those who don't wear the "careto" desguise"
    h_00001054.jpg
  • Old Podence villagers receive one "careto" with suspiction. "Caretos" used to hurt women with their cowbell belts.
    h_00001057.jpg
  • Tradition is changing in Podence village as some outsiders are invited to take part of the festivities gaining the right to wear the "careto" costume and mask by participating in an online auction.
    h_00001058.jpg
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Luís Filipe Catarino - Photographer

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